Me talking about myself is an ironic mindfuck. But here goes.

Came for the showing off?Five TED talks. National Geographic. Sotheby’s. The famous collectors. What other people say about me is on the press page.

I am an artist.

Which means I have spent most of my life making things nobody asked for, wearing things nobody recommended, asking questions with no obvious utility, and occasionally being paid rather well for the inconvenience.

Painter, cartoonist, sculptor, AI artist, entrepreneur, investor, speaker, mentor.

that list is either a career or a symptom.

Raghava KK, studio portrait
Impossible Living Machines, a painting from Impossible BouquetsImpossible Living MachinesImpossible Bouquets · Acrylic on canvas · 2020
Raghava KK drawing on a blackboard for a classroom of children in Essaouira, MoroccoCartooning workshopEssaouira · Morocco · 2003
Retired God I, a small white sculpture with a patterned skullRetired God ISoft Gods · 2022 →
The Orgasm Project, a tangled form rendered from brainwave dataThe Orgasm ProjectEEG · model · oil · 2021
Raghava KK on the TED stage wearing an EEG headsetPainting with brainwavesTED stage · 2013
Flipsicle.My startup
Roundglass.Partner, the fund
INK Fellows.Helped found it, co-chaired it2010 to 2020
Studio portraitNimish Jain · Bengaluru

The bouquet

I don’t want to become less complicated.

I want to become a bouquet. Beautiful. Sexy. Flamboyant. Excessive. Maybe even a little ridiculous.

But built consciously. I want to know what each flower is doing there.

Tap a flower to see why it’s there.

Handed to me

The ones I chose

The ones I planted myself

The ones that grew out of wounds

The ones that smell magnificent

The plastic ones

The ones I carry around, long dead

Not healed. Not pure. Not found. Just visible enough to begin.

The method

For years I thought I was painting contradiction capacity. How much one person can hold at once.

India is where I come from. It is not my subject.

Family

I come from a family of all individuals. Each person is a unique person. They don’t try to be like each other. We are not like anybody. We are like ourselves.

, my father. , my mother. , my elder brother. , my twin. , , and , my children.

I love all my children. I have four children in two countries and I have missed things I am not getting back.

For the real world

When I need to send a “serious” bio out to the real world, I send something like this.

Raghava KK (b. 1980, Bengaluru) is a self-taught Indian artist who works between Bengaluru and New York. He began as a political cartoonist for Indian newspapers in the late 1990s, and caricature still underwrites a practice that spans painting, sculpture, performance, artist books and machine-assisted work. His painting series, from The History Series (2011) to Impossible Bouquets, The Edges and The Guernica Project, treat mythology, identity and belief as material to be restaged. In 2018 he co-founded the curatorial collective 64/1 with his brother, Dr. Karthik Kalyanaraman, and co-curated Gradient Descent at Nature Morte, New Delhi, which artnet called the first mainstream gallery show of AI-generated art. His solo exhibition Calling All Gods opens at the Anna-Maria & Stephen Kellen Gallery, Parsons School of Design, New York, on December 10, 2026. He works with Ashvita’s, Chennai, and Volte Art Projects, Dubai.

leaves out: the money, the famous names, the wounds.

Raghava KK · raghavakkstudio.com

None of these is whole.
Each one needed to hide so much of me.

The archive

I am filing my own life as it happens, and the filing is the work. The record is not open yet.

Becoming Archived →

Why does he have to glow?

If I begin diminished, I have nothing to prove.

I don’t have to perform luminosity.

Someone still has to stand there, gloriously overdressed, covered in paint, holding a bouquet nobody ordered, and ask:

What else is possible?

Raghava